Last year’s Fantastic Shorts winner Sol Friedman (BEASTS IN THE REAL WORLD) returns with a new animated film about what really happened on Noah’s Ark… and it ain’t pretty. You could say it’s a clusterfuck of biblical proportions.
A look inside one of the world’s oddest wrestling leagues, where disabled fighters take on able-bodied opponents in brutal and bloody fights for their own dignity and self-respect. From where else but Japan?
A tactical assault officer is saddled with a hard-partying celebrity out to rehabilitate his image – and avoid jail time – in this throwback to the odd couple buddy action flicks of the early ‘90s.
The latest from anime outlaw Masaaki Yuasa (MIND GAME) is a candy-colored story of secret obsession: professional wrestler Maskman M derives masochistic pleasure from being pummelled by his Amazonian opponent Lady S, who clearly reciprocates in savouring their violent public trysts. But do they have a chance in the real world?
Maruyama the Middle Schooler
A middle school student prone to wild daydreams devotes his waking hours to stretching and flexibility exercises with the ultimate goal of one day being able to lick his own penis.
Painstakingly hand-drawn by a single animator over four years, this saturated slice of lo-fi sci-fi pulp recalls both Moebius and Miyazaki as it ambitiously realizes an eclectic post-apocalyptic future populated by lion-men, brain-leeching slugs and Saturday Morning Cartoon villainy, the latter most memorably personified by the sublimely named Dr. Mindskull.
Our Heroes Died Tonight
Freshly returned home from a stint in the French Foreign Legion, Victor finds work as a reluctantly villainous masked wrestler in this marvelously crafted ode to film noir from first-time director David Perrault.
REMAKE, REMIX, RIP-OFF
Welcome to Turkey. It’s home to Yesilcam, the Turkish Hollywood where, in the late ‘70s, dreams were built on nothing more than a dime. Both a loving tribute to the burgeoning cinema of this young country and a trip into history, REMAKE, REMIX, RIP-OFF brings you the most outlandish story you’ve never heard: filmmaking so dangerous you need a safety harness just to watch.