2017 Programs

Brief Summary

Drawn & Quartered 2014 presents a truly psychedelic topography of animated experiments, with selections from Taiwan, Canada, Spain, the UK, France and the US, all illustrating a weird sense of global lysergic synergy. Something is definitely in the air… (or in the water, since our program begins and ends with the sea). From folktales to weird science, from slow motion dreamscapes to non-stop 2D assaults, I dare say this is Fantastic Fest’s most mind-blowing program of animated shorts yet.

Films in this program:

  • The Present
    Based on the same ancient folktale that inspired Kihachiro Kawamoto’s DOJOJI TEMPLE (1976), Joe Hsieh’s unsettling film (realized in a striking black/white/red color scheme) tells of a married travelling salesman who stops at a seaside inn for the night, only to have the landlord’s strange daughter fall in love with him instantly. But when he rejects her, she vows revenge.
  • The Age of Curious
    Luca Toth’s Royal College of Art graduation film is a tactile, subversively sensual coming of age film that explores the rituals of puberty and the mysteries that lay beneath manes of flowing hair.
  • UNICORN BLOOD (SANGRE DE UNICORNIO)
    A festival favorite since its premiere at Fant Bilbao last year, Alberto Vasquez’ follow up to his award-winning BIRDBOY (2011) is a plushy pastel tale of two teddy bears on the hunt for unicorn blood, a rare blueberry-flavored treat and the secret to eternal cuteness.
  • BEAST (La Bete)
    A woman discovers her animal nature when a wolf grows out of her own body and ravages her. A beautifully choreographed erotic tale that recalls Walerian Borowczyk’s film of the same name.
  • Day 40
    Last year’s Fantastic Shorts winner Sol Friedman (BEASTS IN THE REAL WORLD) returns with a new animated film about what really happened on Noah’s Ark… and it ain’t pretty. You could say it’s a clusterfuck of biblical proportions.
  • Metamorfoza
    DIY collage-animating legend Martha Colburn turns her talents to three-dimensional stop motion and found footage in this transformative experimental nightmare originally commissioned by the Rotterdam Philharmonic Orchestra.
  • 365 - One Year, One Film, One Second a Day
    The latest maniacal exercise from the BAFTA-winning Brothers McLeod is a schizophrenic overload of id-beasts and hilarious non-sequiturs, assembled from 365 one-second animations they made each day over the course of a year.
  • The Obvious Child
    One of the wildest, most richly perverse animators of recent years, UK-based filmmaker Stephen Irwin (MOXIE; THE BLACK DOG’S PROGRESS) returns with this controversial tale of a chain-smoking toddler whose stuffed rabbit helps her get her dead parents’ dismembered limbs into heaven.
  • The Chaperone
    This funky animated/stop-motion/documentary hybrid utilizes over 10,000 crayon drawings to recount the true story of a heroic 1970s high school teacher who takes on an army of bikers single-handedly when they crash the school dance.
  • LUCKY AND FINNEGAN
    Video and sound artist Davide Di Saro’s incredibly ambitious animated music video for Toronto band Ronley Teper and the Lipliners has a roster of weirdo characters and infernal landscapes to rival a 1930s Fleischer Brothers cartoon.
  • STORM HITS JACKET (TEMPÊTE SUR ANORAK)
    As a storm brews outside, two scientists on the verge of a major discovery get embroiled in a scheme of industrial espionage and an unexpected menage-a-trois. A delightful sci-fi comedy and a testament to the beautiful, bewildering chaos of nature.
  • RITUAL OF CATHODE RAY TUBE
    RITUAL OF CATHODE RAY TUBE began its life as a multi-screen gallery installation, in which a series of monochrome drawings interact with each other like a live news feed recording of a black magic happening. Hypnotic and awesome.
  • BROKEN FACE (SALE GUEULE)
    We return to the whipping waves of the sea for our program’s closing film, a lighthouse terror tale performed by marionettes and infused with that wistful melancholia that only the Old Ones and ancient mariners understand.